世界最奇妙的建築之八 「泰國龍廟」莫內麥田畫風油彩畫作

施振澤

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世界之大，無奇不有。有的人夢想楊帆遠行，於是我們看到了各式各樣的船屋；有人夢想過著童話一般的生活，於是我們看到稀奇古怪的樹屋……創意無限，驚奇無限。泰國Wat Sampran龍廟又稱蟠龍寺，造型奇特，具有濃濃的中國風，更增至一探究竟的好奇心！Wat Samphran 蟠龍寺已有二十多年的歷史，但是網路上鮮少有人討論該廟,龍廟總共17層，外觀是由一條巨龍環繞從地面盤旋至頂端非常地霸氣！而巨龍的本身就是一個盤旋而上通往樓頂的通道，但是平時沒有對外開放,除非有福氣的人運氣極佳，遇到慶典活動才有機會一睹真面目。

#泰國龍廟Wat Samphran油彩畫作乃採用莫內麥田畫風。

#泰國龍廟Wat Samphran限量發行 1個vibe，具有良好收藏價值。
莫內麥田畫風簡介
「印象主義之父」莫內擅長光與影的表現技法，在其畫作中沒有非常明確的陰影，亦無突顯或平塗式的輪廓線。此外，他對於色彩的運用相當細膩，曾長期探索實驗色彩與光的完美表達，常在不同的時間和光線下，對同一對象作多幅描繪。莫內通過相同主題來表現時間、季節，「連畫」系列體現印象派一大精神，「著重於繪畫光影的變化、對時間的印象」。
起初他只打算畫一兩幅〈乾草堆〉，純粹描繪大自然在陽光下的細微變化，最終卻畫了二十五幅相同〈乾草堆〉，莫內發現了，必須如此創作才能貼近光之幻變。
莫內把主題簡化至最為單一、最平實，把一切的目光都留在光影之間，繪畫相同對象，用最直接而有力的方式，顯示出大自然潛藏的光影與氣候。時間，是藏於所有事物背後的魔術師。莫內作畫追逐光影，指涉時間概念，首位以完全相同題材，創作二十五幅作品的藝術家，純粹繪畫光影，最終意外地呈現時間之抽象。《乾草堆》是莫奈的一系列繪畫作品，這些作品都以「乾草堆」為主題，其中主要作品有25幅，均為布面油畫，完成於1890年夏末到次年春季。有時候《乾草堆》系列也包含其他的同主題但不同標題的畫作。這一系列作品以其對每天、每季不同時間的光線的敏銳觀察而出名。繪製地點是法國吉維尼莫奈居所附近。

The world's great wonders. Some people dream of Yang Fan traveling far away, so we see all kinds of houseboats; some people dream of living a life like a fairy tale, so we see strange tree houses... unlimited creativity and surprise. Wat Sampran Dragon Temple in Thailand is also known as Panlong Temple. Wat Samphran Panlong Temple has a history of more than 20 years, but few people discuss the temple on the Internet. The Dragon Temple has a total of 17 floors. The dragon itself is a passage that spirals up to the top of the building, but it is not open to the public at ordinary times. Unless the lucky ones are very lucky, they will have a chance to see the true face when they encounter the celebration.

#Thai Dragon Temple Wat Samphran's oil painting is in the style of Monet's wheat field.

#Thai Dragon Temple Wat Samphran Limited edition 1 vibe, with good collection value.

Introduction to Monet's wheat field painting style
"Father of Impressionism" Monet was good at expressing light and shadow. In his paintings, there are no very clear shadows, and there are no prominent or flat outlines. In addition, his use of color is quite delicate. He has long explored the perfect expression of experimental color and light. He often paints multiple paintings of the same object at different times and under different lighting conditions. Monet expresses time and seasons through the same theme. The series of "Lianhua" embodies the spirit of Impressionism, "focusing on the changes of light and shadow in painting and the impression of time".
At first, he only planned to paint one or two "Haystacks", purely depicting the subtle changes of nature in the sunlight, but he ended up painting twenty-five identical "Haystacks". Monet discovered that he had to create in this way to be close to the light. phantasmagoria.
At first, he only planned to paint one or two "Haystacks", purely depicting the subtle changes of nature in the sunlight, but he ended up painting twenty-five identical "Haystacks". Monet discovered that he had to create in this way to be close to the light. phantasmagoria.
Monet simplifies the subject to the simplest and most plain, keeping all eyes between light and shadow, painting the same objects, and showing the hidden light, shadow and climate of nature in the most direct and powerful way. Time is the magician behind everything. Monet's paintings chase light and shadow, referring to the concept of time. He is the first artist to create twenty-five works based on the same theme. He paints light and shadow purely, and finally presents the abstraction of time unexpectedly. "Haystacks" is a series of paintings by Monet, all of which are based on the theme of "Haystacks". There are 25 main works, all of which are oil on canvas, completed from the late summer of 1890 to the spring of the following year. Sometimes the Haystacks series also contains other paintings of the same subject but with different titles. The series is known for its keen observation of light at different times of day and season. The drawing location is near Monet's residence in Giverny, France.

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Created on 2022/04/01 03:32:10 UTC